* some views expressed in these quotations not neccesarily endorsed by the author of this file.
* for entertainment only - history is not an exact science - dates and quotes not guaranteed for accuracy.
I never saw an ugly thing in my life; for let the form of an
object be what it may--light, shade, and perspective will always make
it beautiful.
I must see new things and investigate them. I want to taste dark water and
see crackling trees and wild winds.
Art cannot be modern, art is timeless.
I do not feel punished, but cleansed!
I will survive for art and for the people I love!
I am so rich that I must give myself away.
(* note : Attorney General Ashcroft would have disapproved of Egon.)
Over the years, I've always played that solo note for note--again, one
of the few where I've done that--but it just got faster and faster
onstage because we would drink more and more whiskey. Jon would have
to play his already difficult part faster and faster and he would get
very annoyed about it.
Everyone should sing, whether they're good at it or not
I thought 'Stairway' crystallized the essence of the band. It
had everything in there, and showed the band at its best. Every
musician wants to do something that will hold up for a long time, and
I guess we did that with 'Stairway.'
When work is a pleasure, life is a joy! When work is a duty, life is
slavery.
'Free Bird' was actually one of the first songs we ever wrote.
[On the studio version,] The whole long jam was Allen Collins
himself. He was bad. He was super bad! He was bad to the bone bad.
When we put the solo together, we liked the sound of the two guitars,
and I could've gone out and played it with him. But the way he was
doin' it, he was just so hot! He just did it once and did it again
and it was done.
Those who attain any excellence, commonly spend life in one
pursuit; for excellence is not often gained upon easier terms
It takes courage to grow up & turn out to be who you really are.
Every once in a while it seems like the cosmos part and
something great plops into your lap. That's how it was with 'Hotel
California'. I set this old rhythm ace to play a cha-cha beat, set the
right tempo and play the twelve string on top of it. A few days
later, I went back and listened to it and it sounded pretty unique, so
I came up with a bass line. A few days after that, I added some
electric guitars. Everything was mixed down to mono, ping-ponging
back and forth on this little four-track.
Now that I've heard it for 20 years, the 12-string part sounds
right to me, but it's still not as nice as the E minor version we did.
I
wasn't convinced that it should be our single. I was very skeptical, but I yielded to the wisdom of Henley.